Tagged: sci-fi

Our view stats on Vimeo during our busiest week to-date

Thousands of eyes on us

Our sci-fi short film NEW debuted online November 2, and the response has been very gratifying indeed. As I write this post, we’re coming up on our 15,000th view. For a three-day period in early November, we were clocking around 3000 views per day! Those might not be spectacular numbers for, say, a 30-second kitten video, but for a quiet, 17-minute drama it’s pretty damn great. Even better: the smart comments the film has received. More about that in a moment.

Vidsee postThe film has been featured at sites like Film Shortage and Alltop. And I particularly enjoyed the generous selection of screen caps and long, English-as-a-second-language plot summary over at Singaporean short film site VidSee. Fun… but don’t read it if you haven’t seen the film yet!

Last week, I did an interview for a TV station in Switzerland called BeCurious TV – they’ll be airing that interview soon, along with NEW and two of my other shorts.

Best of all, we’ve been covered at io9.com, the go-to site for all things science fiction. I’ve been trying to get them to write about NEW for over two years! They were my white whale. Back when we were crowdfunding the budget, I sent the editors emails brimming over with all the charm I could muster, detailing the sci-fi epic being cooked up in their very own backyard (the site is based in San Francisco). All to no response… until now. Fair enough. I imagine they wanted to have a finished film to show people before writing about us.

But write abOur review at io9out us they did, last month, with a nice review that declared NEW “pretty heartbreaking.” When their story was published, it shot our view count through the roof for a couple of days. A month later it’s still a major driver of traffic to the film. Thank you, io9.

Click the image to read the review, and then take the time to savor the hardcore sci-fi discussions happening in the comments. You can see the viewers digging in, debating story points and extrapolating on the future glimpsed in NEW. No one is discussing whether the film is any good or not – that bar has been met for them. Following what was a just-okay festival run, it’s immensely satisfying for me to see NEW really finding its audience like this.
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Six tweets about HER, or, How I Learned To Stop Worrying And Love The Singularity

Joaquin Phoenix in Spike Jonze's HER

Joaquin Phoenix and Scarlett Johanssen in Spike Jonze’s HER

A little spoiler-y, I suppose, especially toward the end. You’ve been warned.

As usual Jonze gets details just right. I ❤ Theo’s safety pin. A lesser mind would have given him a taller phone or shallower shirt pocket

I’m taken with how Jonze forgoes cynicism/anger. Theo’s job: ghost-writing personal letters. A chance to bludgeon us with satire…

…but Theo’s great at his job. His letters are poetic, heartfelt; we can’t feel superior. Emotions are real & valid regardless of origin?

Last time 2 AIs talked in a movie it was COLOSSUS: THE FORBIN PROJECT. Here, we get Samantha chatting to an Alan Watts simulacrum. (Swoon.)

I did wonder if Theodore returned to the mall to ask for a refund on OS1. Think I would, if my Mac told me it needed to see other people.

HER is a gentle, sweet love story that takes on big scifi ideas with ease and grace. I admire many films; this is one I wish I’d made.

GRAVITY: a review in 6 tweets

photo by @gloomboy

photo by @gloomboy

(No major spoilers here, but if you’re like me, sometimes even an opinion can be more than you want to know. Fair warning.)

  1. GRAVITY literally a gripping experience. My wife’s hand, arm of the chair… @gloomboy: “They should warn you to wear a bite guard.”
  2. A nuts&bolts movie, vein of APOLLO 13, or mountaineering/submarine pic where survival hinges on physical things, like a wrench or a rope
  3. Cuarón is a visual master. The pacing between the hairy suspenseful moments and the more meditative ones in GRAVITY is nearly perfect.
  4. If GRAVITY falls short of being a classic, it’s because of some lazy Hollywoodisms that took me out of the moment.
  5. If I could do my own director’s cut of GRAVITY I’d excise the Sandra Bullock’s character’s backstory and all the music.
  6. Yes you should see GRAVITY, and in the theater. Find the biggest screen you can and spring for the 3D.

I’m @giantspecks on Twitter.

DIY Sci-Fi

Cory McAbee's THE AMERICAN ASTRONAUT

Cory McAbee’s THE AMERICAN ASTRONAUT

Sci-fi fans! Hollywood got you down? Are you drowning in the mainstream? Weary of TRANSFORMERS transforming? Of mugging movie stars dressed as superheroes? Do you despair at what passes for science fiction on the big screen?

Hell, maybe I’m projecting. Maybe you think all that stuff is awesome. It takes all kinds to make a world. That’s why they make more than one flavor of ice cream.

Love or hate it, or love it and hate it, you can be more than a passive consumer of sci-fi film. Do what these guys did, and make some of your own!

Some of these films are unabashedly inspired by the mainstream aesthetic of Hollywood and Lucasfilm. Others serve as reactionary rebuttals. All substitute sweat and ingenuity for blockbuster budgets. Some are charmingly home-made in their look, others are polished productions that give Lucas a run for his money. This is DIY sci-fi.

These are labors of love: no studios and no investors. Budgets are shoestring, and often crowdfunded. Labor is often volunteer.

This article isn’t a comprehensive list of DIY sci-fi, not by a long shot – just some interesting projects I happen to know of. I’d like to know about yours, too. My intention is to append this list over time. Feel free to add your links in the comments.

All I Think Of Is You (Short, 2012)
In this stylish and moody short, a widow is hounded by a stranger claiming to be her dead husband. It’s currently doing well on the festival circuit, but you can see the first two minutes at writer/director Shad Clark’s website. Poke around and you’ll find some of his other videos, including an unsettling little diversion involving misuse of a safety razor. Shudder.

The American Astronaut (Feature, 2001)
Director Cory McAbee (lead singer of San Francisco cult musical act The Billy Nayer Show) cast himself as the lead in what RottenTomatoes.com described as “ERASERHEAD meets BUCK ROGERS by way of an MGM musical.” See the trailer here. McAbee’s singular vision took him to the Sundance Film Festival. Although, like McAbee, I live in the Bay Area, I’ve managed to miss every chance to see his film. What can I say? It’s in the Netflix queue. [Update, April 4, 2014: It’s also now available online for free from online distributor SnagFilms. Search the SnagFilms site or watch it here in this article on Indiewire.]

Bellflower (Feature, 2011)
This hallucinatory bromance depicts two guys preparing for an apocalypse they seem convinced is coming. How? By building a souped-up super car and a fucking FLAMETHROWER of course. It’s broken hearts and brain injuries, it’s geek culture meets machismo, and it will get under your skin. This debut feature played Sundance, is distributed by Oscilloscope and is probably a bit high-profile for this list. But the DIY aesthetic on display is undeniable, both in front of the camera and inside it: the filmmakers shot Bellflower on a home-made digital camera pieced together from vintage camera parts and Russian lenses.

La vie d’un chien (The Life of a Dog) (Short, 2005)
Would I be blogging about DIY sci-fi if I wasn’t making some of my own? My story of a scientist and the serum that turns him into a canine is told in a montage of black-and-white stills. This technique allowed me to depict biological transformation and societal upheaval for a pittance, while serving as homage to Chris Marker’s masterpiece La Jetée (DIY sci-fi from 1962!).

Microgravity (Short, 2006)
A tense, surreal thriller about an astronaut alone in orbit. Loneliness and boredom turn on a dime into claustrophobia, panic and fear of that cold, hard vacuum just outside the bulkhead. Beautifully, expressively shot. Great set design too. Watch the entire film, below:

Pig (Feature, 2011)
Pig begins with a somewhat familiar movie premise: amnesia. As the lead character tries to unravel the mystery of his own identity writer/director Henry Barrial demonstrates that sometimes it’s less about premise and more about execution. Strong performances from the leads keep this slow-burner absorbing, right through to the revelatory final scenes. [Update, April 4, 2014: PIG is now available via many outlets including iTunes and Amazon. Or cut out the middleman and get it from the filmmakers.]

Primer (Feature, 2004)
Shane Carruth’s debut feature marked the first time a science fiction film took the top prize at Sundance. It’s very self-assured filmmaking. What begins as a low-key, brainy story of engineers who accidently invent a time machine becomes increasingly strange and confusing as the plot begins to loop back on itself. I have yet to meet anyone who claims to fully understand it. Rent it. Or go to Carruth’s website for a digital download, and a preview of his second film, which looks to be even more disorienting.

Project Arbiter (Short, 2013)
It’s World War II. The Nazis have invented an invisibility suit, and the Allies have to steal it! Who wouldn’t want to see that movie? They just wrapped post, so you might be able to, very soon. Meanwhile, here’s the trailer and the website.

Ian Hubert's PROJECT LONDON

Ian Hubert’s PROJECT LONDON

Project London  (Feature, 2013)
It doesn’t get more DIY than this! Chockablock with cool vehicles and giant robots, this futuristic feature out of Seattle, Washington was birthed by an all-volunteer crew using Blender, a free, open-source 3D software. Currently in post. Will it be any good?! Check out the trailer and Project London website and see what you think.

The Third Letter (Short, 2010)
Both director Grzegorz Jonkajtys and producer Bastiann Koch are SFX pros with serious industry credentials. It bleeds from every frame of this tale of futuristic dystopia.

Radio Free Steve (Feature, 2000)
This “1980s vision of the future” is like BELLFLOWER’s idiot trailer-trash cousin. It’s your basic post-apocalyptic road comedy, with nods to DAMNATION ALLEY and containing a crazy “lost film” backstory about the supposed director, one “Lars Von Biers.” Loose, profane and occasionally quite funny. The producer somehow managed to secure songs for a soundtrack that includes tracks by Luna and Boards of Canada. Watch the NSFW trailer here.

Radio Free Albemuth (Feature, 2010)
This indie feature based on one Philip K. Dick novel which is apparently so weird Hollywood hasn’t found a way to make an action movie out of it. I have yet to see it but it should be noted RADIO FREE ALBEMUTH has earned the approval of hardcore Dick fans and the Dick family estate.

They’re Made Out Of Meat (Short, 2005)
After an extensive survey of planet Earth’s dominant species, an alien reports his astonishing findings. A clever staging of the clever (and much-circulated) short story by author Terry Bisson. Watch it!