Tagged: animation

Consumption: 2018

A moment from Leigh Whannell's UPGRADE

Leigh Whannell’s UPGRADE

I keep this list every year, for fun and for reference. The list only reflects films seen for the first time.

I don’t do a numbered ranking, but my #1-most-fun-I-had-at-the-movies award goes to Leigh Whannell’s UPGRADE. Visually inventive and spectacularly violent, this rough-and-ready cyberpunk B-movie felt like a return to the days of ROBOCOP, or peak John Carpenter. Bravo!

Kudos, too, to the makers of SPIDERMAN: INTO THE SPIDERVERSE. It’s got heart, it’s got style (more than one, actually) and it’s so smart, fast, funny and original it makes all the other superhero movies look kinda stupid by comparison.

Have you ever been watching a movie when a moment comes along that suddenly shifts your entire sense of what it is you’re watching? I LOVE that. It’s rare to get even one of those in a film, and it happened to me twice while watching Ali Abbasi’s BORDER. This one’s about a Swedish customs officer who can literally smell fear. That’s all I knew going in, and all you need to know too. Don’t read the reviews.

I’ll buy that for a dollar! Boots Riley’s SORRY TO BOTHER YOU takes place in the same universe as ROBOCOP and Terry Gilliam’s BRAZIL. That’s just my theory. But it’s true.

Other 2018 theatrical standouts for me included ANNIHILATION, A QUIET PLACE, THE FAVOURITE (seen in 2019 so it’s not on this list) and (sniffle) WON’T YOU BE MY NEIGHBOR?

On the TV series front, favorites at our house included The Crown, The Good Place, Better Things, Travelers, and Killing Eve.

The rise of Netflix streaming is very much in evidence in this year’s list. Standouts include Tamara Jenkins’ note-perfect PRIVATE LIFE (Paul Giamatti and Kathryn Hahn as a middle-aged couple racing against their biological clocks), and writer/director Macon Blair’s 2017 release I DON’T FEEL AT HOME IN THIS WORLD ANYMORE. By turns funny and violent, the latter stars Melanie Lynskey as Ruth, a woman in way over her head as she tries to recover her grandmother’s silverware from some burglars. Ruth’s simple, heartfelt plea is one for our times: “For people to stop being assholes.” Amen, honey.

Linked titles take you to my review, or more info on the film.

MOVIES ON THE BIG SCREEN
Coco
The Shape of Water
Three Billboards Outside Ebbing, Missouri
The Post
Annihilation
Black Panther
Darkest Hour
A Wrinkle In Time
Isle Of Dogs
A Quiet Place
Finding Your Feet
Solo: A Star Wars Story
Upgrade
Incredibles 2
American Animals
Won’t You Be My Neighbor?
Jurassic World: Fallen Kingdom
Bohemian Rhapsody
Spiderman: Into The Spiderverse
Roma

MOVIES ON THE SMALL SCREEN
Popstar: Never Stop Never Stopping*
Double Indemnity
Dr. Strange
Hunt For The Wilderpeople
The BFG
My Happy Family
Beauty And The Beast (2017)
All That Heaven Allows
Mute
The Secret Life Of Pets
I Don’t Feel At Home In This World Anymore
The Passion of Joan of Arc
Table 19
For The Love of Spock
Mad
Don’t Breathe
The Florida Project
The Informant!
Bombshell: The Hedy Lamarr Story
Battle Of The Sexes
Dredd
Blockers
The Endless
Take Me
E Il Cibo Va
Henry Fool
The Land Of Steady Habits
Game Night
Private Life
The Trip To Italy
Book Club
Sorry To Bother You

TELEVISION
The Crown
Rick and Morty
Travelers
Modern Family
The Good Place
Supergirl
Better Things
Mom
The Orville
Big Little Lies
Abstract: The Art of Design
The Great British Baking Show
Killing Eve
The World’s Most Extraordinary Homes
F*ck That’s Delicious
Black Mirror: U.S.S. Callister

BOOKS and OTHER READING
Spill Zone – Scott Westerfeld
The Best American Short Stories 2009 – ed. Alice Sebold
Orfeo – Richard Powers
Creatures of Habit: Stories – Jill McCorkle

*Surprise, Motherfucker!

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Consumption: 2017

logan-casino2

I make this list every year, for fun and as a reference. As always, it only reflects things seen for the first time. “POLTERGEIST on TV, 14th viewing” doesn’t make the list. Nor do films not viewed in their entirety, for example, Guy Ritchie’s THE MAN FROM U.N.C.L.E, which got ejected from the Blu-Ray player after 15 minutes. I’d never seen Henry Cavill in anything before but he seems to emit some kind of anti-charisma particle.

I didn’t bother making a numbered best-of list this year. But if I had, LOGAN would be at the top. It’s perfect. Damn you James Mangold, for making me cry at your Wolverine movie.

Some of my other favorite releases of 2017 include THE BEGUILED, COCO, ATOMIC BLONDE, THOR: RAGANOK, and THE MEYEROWITZ STORIES. Of course, DUNKIRK was impressive – but cold, as is Christopher Nolan’s way. MOTHER! is a movie, alright. Darren Aronofsky swings for the fences. And whatever you think of the film, Jennifer Lawrence and Michelle Pfieffer were very good. The BLADE RUNNER sequel was amazing, and very nearly great: only Jared Leto’s messianic super-villain seemed out of place, like a character from a different, dumber movie. THE LAST JEDI: wonderful, about 50% of the time. The compelling Rey/Kylo/Luke storyline almost makes up for how they couldn’t find anything interesting for Poe, Finn, or Rose to do. (Yeah I get that the casino plot is a critique of capitalism and arms dealers and yes intellectually that’s interesting for a Star Wars movie but dramatically it was a big bag of nothing and visually it looked cheap & reminded me of the prequels and like this sentence that movie is too long.)

Linked titles take you to my review, or more info on the film.

MOVIES ON THE BIG SCREEN
Manchester by the Sea
Elle
La-La Land
Logan
Get Out
Life
Pollyanna
Colossal
Rosencrantz and Guildenstern are Dead (live from the Old Vic)*
Guardians of the Galaxy, Vol. 2
Baby Driver
The Beguiled
Dunkirk
Atomic Blonde
Dave Made A Maze
Dawson City: Frozen Time
The Big Sick
mother!
Blade Runner 2049
Spoor (Pokot)
Suburbicon
Thor: Ragnarok
Star Wars: The Last Jedi
Lady Bird
Coco  (saw it January ’18)

MOVIES ON THE SMALL SCREEN
The Jungle Book (2016)
The Nice Guys
Shadow of a Doubt
Miss Peregrine’s Home For Peculiar Children
Fantastic Beasts And Where To Find Them
The Handmaiden
The Trip (Steve Coogan, not Dennis Hopper)
Back To The Future III
Eat Pray Love
The Meyerowitz Stories
Hidden Figures
Passengers
Bullitt
The Godfather (pretty good! why didn’t anyone tell me about this flick sooner?)
Personal Shopper

TELEVISION
Travelers
Westworld
Orphan Black
Modern Family
Incorporated
New Girl
The Good Place
The Expanse
Supergirl
Better Things
Game of Thrones
Girls
Mom
Downward Dog
I Love Dick
Odd Mom Out
The Orville
Star Trek: Discovery
POV: What Tomorrow Brings
Big Little Lies
Abstract: The Art of Design

BOOKS and OTHER READING
Other People’s Trades – Primo Levi
Broken Frontier (graphic novel) – Various
Lightspeed Magazine – Various
A whole bunch of screenplays

*I am calling this a movie. I saw it at a movie theater. Harry Potter guy was in it. It counts.

This makes me happy

Frame grab from The 1K Project II

Click the image to watch The 1K Project II

Sometimes I dream I’m driving in a no-consequences world, one with cartoon physics. Invariably I spin out, or flip my car into a ditch, or off a cliff. Always I emerge unscathed. It’s then a simple matter to grip my vehicle with two hands and place it back on the road, righting it as if it weighed no more than a styrofoam cooler.

Maybe that’s the reason I respond so strongly to The 1K Project II, because it seems to operate in this same no-impact universe. Or maybe it’s just because it’s so fucking cool. I’m not the only one who feels this way: the video racked up millions of views on the gamer site gametrailers.com. Over the past few years I’ve shared links to it on MySpace, later Facebook, and then Twitter. And now, I have a blog. So here it comes again.

“The 1K Project by French machinima creator BlackShark marks a particularly virtuosic display of procedural media’s capacity for replay and repetition. To make the 1K Project II, Blackshark used the driving game TrackMania to capture 1,000 replays of the game, each with subtle variations in trajectory and outcome, which were recorded and then played back layered together to create a frenzy of automotive mayhem.” –credit: criticalcommons.org

Some crackerjack editing plus a perfect choice of music track make the thing sing. The result is a sublime work that by rights should be looping in somebody’s MOMA somewhere. In my opinion, at least. Enjoy.