Consumption: 2018

A moment from Leigh Whannell's UPGRADE

Leigh Whannell’s UPGRADE

I keep this list every year, for fun and for reference. The list only reflects films seen for the first time.

I don’t do a numbered ranking, but my #1-most-fun-I-had-at-the-movies award goes to Leigh Whannell’s UPGRADE. Visually inventive and spectacularly violent, this rough-and-ready cyberpunk B-movie felt like a return to the days of ROBOCOP, or peak John Carpenter. Bravo!

Kudos, too, to the makers of SPIDERMAN: INTO THE SPIDERVERSE. It’s got heart, it’s got style (more than one, actually) and it’s so smart, fast, funny and original it makes all the other superhero movies look kinda stupid by comparison.

Have you ever been watching a movie when a moment comes along that suddenly shifts your entire sense of what it is you’re watching? I LOVE that. It’s rare to get even one of those in a film, and it happened to me twice while watching Ali Abbasi’s BORDER. This one’s about a Swedish customs officer who can literally smell fear. That’s all I knew going in, and all you need to know too. Don’t read the reviews.

I’ll buy that for a dollar! Boots Riley’s SORRY TO BOTHER YOU takes place in the same universe as ROBOCOP and Terry Gilliam’s BRAZIL. That’s just my theory. But it’s true.

Other 2018 theatrical standouts for me included ANNIHILATION, A QUIET PLACE, THE FAVOURITE (seen in 2019 so it’s not on this list) and (sniffle) WON’T YOU BE MY NEIGHBOR?

On the TV series front, favorites at our house included The Crown, The Good Place, Better Things, Travelers, and Killing Eve.

The rise of Netflix streaming is very much in evidence in this year’s list. Standouts include Tamara Jenkins’ note-perfect PRIVATE LIFE (Paul Giamatti and Kathryn Hahn as a middle-aged couple racing against their biological clocks), and writer/director Macon Blair’s 2017 release I DON’T FEEL AT HOME IN THIS WORLD ANYMORE. By turns funny and violent, the latter stars Melanie Lynskey as Ruth, a woman in way over her head as she tries to recover her grandmother’s silverware from some burglars. Ruth’s simple, heartfelt plea is one for our times: “For people to stop being assholes.” Amen, honey.

Linked titles take you to my review, or more info on the film.

MOVIES ON THE BIG SCREEN
Coco
The Shape of Water
Three Billboards Outside Ebbing, Missouri
The Post
Annihilation
Black Panther
Darkest Hour
A Wrinkle In Time
Isle Of Dogs
A Quiet Place
Finding Your Feet
Solo: A Star Wars Story
Upgrade
Incredibles 2
American Animals
Won’t You Be My Neighbor?
Jurassic World: Fallen Kingdom
Bohemian Rhapsody
Spiderman: Into The Spiderverse
Roma
First Man

MOVIES ON THE SMALL SCREEN
Popstar: Never Stop Never Stopping*
Double Indemnity
Dr. Strange
Hunt For The Wilderpeople
The BFG
My Happy Family
Beauty And The Beast (2017)
All That Heaven Allows
Mute
The Secret Life Of Pets
I Don’t Feel At Home In This World Anymore
The Passion of Joan of Arc
Table 19
For The Love of Spock
Mad
Don’t Breathe
The Florida Project
The Informant!
Bombshell: The Hedy Lamarr Story
Battle Of The Sexes
Dredd
Blockers
The Endless
Take Me
E Il Cibo Va
Henry Fool
The Land Of Steady Habits
Game Night
Private Life
The Trip To Italy
Book Club
Sorry To Bother You

TELEVISION
The Crown
Rick and Morty
Travelers
Modern Family
The Good Place
Supergirl
Better Things
Mom
The Orville
Big Little Lies
Abstract: The Art of Design
The Great British Baking Show
Killing Eve
The World’s Most Extraordinary Homes
F*ck That’s Delicious
Black Mirror: U.S.S. Callister

BOOKS and OTHER READING
Spill Zone – Scott Westerfeld
The Best American Short Stories 2009 – ed. Alice Sebold
Orfeo – Richard Powers
Creatures of Habit: Stories – Jill McCorkle

*Surprise, Motherfucker!

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