Poor Charlie Kaufman. I’m feeling absolutely everything in his recent interview for IndieWIRE. It’s called Charlie Kaufman Reflects On His Career: ‘I Feel Like I F*cking Blew It.’ and with a title like that, I expect you’ll feel compelled to click too. For those of you who don’t, here’s a summary of his bummery:
In 2008, coming off the success of three brilliantly original films for which he wrote the screenplays, Kaufman took on the role of director for SYNECDOCHE, NEW YORK. And the film lost money. His second and latest film, ANOMALISA, has done just about as well – that is to say, not well at all.
In the interview, rather than trying to put a happy face on things, he explicitly airs his anxieties. Which, it seems to me, is a perfectly Charlie Kaufman thing to do. It also seems to me Kaufman mistook his hot streak for his new normal. No disparagement is intended: that’s one of those things that can only be evident in retrospect.
But it’s also not hard to diagnose his doldrums: BEING JOHN MALKOVICH, ADAPTATION and ETERNAL SUNSHINE OF THE SPOTLESS MIND each had measured amounts of melancholy, always tempered with sweetness and delight. The two films he’s since directed have retained all the inventiveness of his past work, but minus most of the fun. ANOMALISA is pretty bleak, and SYNECDOCHE is downright morbid. And that’s coming from someone who liked it.
So maybe he needs a creative course correction. Or just some fresh air and exercise, and a movie title you can pronounce. I find it hard to believe his career is over. There are natural cycles: you’re hot; you’re not. Better to have been hot, with the chance of heating up again, right? Me, I’ve been aspiring to be Charlie Kaufman (or at least someone in his general vicinity) much of my adult life.
So I sympathize with the creative angst, but then again… count yer blessings, Chuck. And that journalist interviewing you is right: all you need is one success and your doldrums will be over.
That goes for you and me both.